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Thomas and Marianne, a feuding couple whose relationship has hit a wall, decide to spend a weekend at Thomas’s uncle’s lakeside cottage. This is their last chance to save their relationship, which has been jeopardized by Marianne’s meaningless flirtations and Thomas’s uncontrollable jealousy. As they arrive, a restless yet charming neighbour welcomes them into their house and, realizing that Thomas’(🏓)s uncle and girlfriend will not be showing up for days, suggests they share the dinner he has prepared. The drunken night that follows – with this man, who might not be who he seems to be, pushing his charms on Marianne –(🖼) leads to a weekend of blurred emotions and events, where loyalties, guilt and a shared secret will test the young couple’s ability to survive. Along the way, flashbacks shed light on events that unfold, as Demers – who won the prize for Best Canadian Short Film at the Festival in 1999 for Décharge – begins to introduce information about each character in order to build doubt and ramp up the tension. Jaloux is a tour de force in both its European mood and style and its North American subject and nature, a result which could not have been achieved without the self-assured skills of an expert filmmaker.
